Comedy1970s Sitcoms Got Louder, Smarter and More Real
The old rule that a sitcom family had to solve its problems neatly before the credits stopped holding. All in the Family turned arguments over race, politics and generations into prime-time comedy. The Mary Tyler Moore Show made the workplace feel like family, while M*A*S*H, Maude, Good Times, The Jeffersons, Taxi and WKRP proved a half-hour could be funny without being weightless. If that is the part of the decade you remember most, revisit how 1970s sitcoms started talking about real life, then head back to the office, newsroom, garage, precinct and cab company with the 20 best workplace sitcoms of the 1970s.
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CrimeDetectives, Private Eyes and Police Shows Took Over Prime Time
You could barely turn the dial without finding a badge, a private investigator or somebody leaning against a car while the city glowed behind them. Columbo won with patience and one more question; The Rockford Files made being broke and reluctant look heroic. Kojak, Starsky and Hutch, Police Woman and The Streets of San Francisco gave the decade entirely different versions of television justice. Split the badge from the guys working on their own with our rankings of the 20 best police procedural shows of the 1970s and the 20 best private-eye shows of the 1970s.
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FamilyOne Approved TV Family Became Many Different Families
The decade still gave us the warmth of The Waltons and Little House on the Prairie, but family television was changing fast. The Brady Bunch made a blended family ordinary, One Day at a Time centered a divorced mother, Good Times and The Jeffersons put Black family life at the center of network comedy, and Eight Is Enough turned the sheer chaos of a huge household into the story.
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Saturday MorningSaturday Morning Was Its Own Television Universe
If you were a kid, Saturday morning did not feel like a programming block. It felt like ownership. Scooby-Doo mysteries, Super Friends trouble alerts, Schoolhouse Rock lessons, Filmation heroes, Hanna-Barbera talking animals and cereal commercials all arrived in one long run before the adults reclaimed the set. The schedule itself was part of the memory because missing a show meant waiting another week.
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The SoundTV Theme Songs Became Part of the Memory
There was no skip-intro button. The opening music announced that everybody needed to get back into the room. Some themes explained the entire show; others only needed a few notes. From The Jeffersons and Welcome Back, Kotter to Barney Miller, The Rockford Files and WKRP, the soundtrack is one reason so much 1970s television can still be recalled before a single line of dialogue.
Revisit the great 70s TV theme songs →
The Shared DialThree Networks Could Still Create One Enormous Audience
ABC, CBS and NBC did not own every television signal in America, but they dominated the national prime-time conversation. That concentration gave hit shows a scale that is hard to reproduce now. Families watched together because there were fewer choices, local stations kept reruns alive, and a program that caught fire could quickly become something almost everybody recognized—even people who swore they never watched it.
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